floor no. 3
mannequin haus////////////
  • JESS MIZE
  • TRICIA KNOLL
  • PAUL EDWARD COSTA
  • KYLE HEMMINGS
  • ROBERT CRISP
  • ESTLIN AGNEW
  • TOM MONTAG
  • JAMES CROAL JACKSON
  • Jacklyn Janeksela
  • GRYPHYN GREENSTONE
  • MARK J. MITCHELL
  • EDWARD AHERN
  • ZACHARY SCOTT HAMILTON
  • JULIA LAXER
  • SUDEEP ADHIKARI
  • JESS MIZE
  • TRICIA KNOLL
  • PAUL EDWARD COSTA
  • KYLE HEMMINGS
  • ROBERT CRISP
  • ESTLIN AGNEW
  • TOM MONTAG
  • JAMES CROAL JACKSON
  • Jacklyn Janeksela
  • GRYPHYN GREENSTONE
  • MARK J. MITCHELL
  • EDWARD AHERN
  • ZACHARY SCOTT HAMILTON
  • JULIA LAXER
  • SUDEEP ADHIKARI
floor no. 3
mannequin haus////////////

mark j. mitchell

eye test// boy with a pipe

​
                                                            BOY WITH A PIPE
 
                                    Beside a blue picture—posed, insolent
                                    and idle—stiff as a forgotten god--
                                    a boy waits for no one, for risen ghosts.
                                    His stillness threatens artful violence.
                                    Rolling a cold pipe on his palms, he nods
                                    to himself—his gaze doesn’t recognize
                                    loose strangers. He taps coded resentment
                                    on the stone bench—his cold count’s always odd--
                                    He only comes in on the days he knows
                                    it will be empty. This picture’s his prize
                                    in a contest you can’t enter—the room--
                                    echoing with silence—forces his eyes
                                    to look at what was stolen from his tomb.it.
                                                                                                                                                                                                                                   EYE TEST
 
 
 
                                    Above her misplaced glasses floated green
                                    mirrors and gas jets—antique details
                                    she never saw clearly. Reflections leaned
                                    into each other. Light kissed light—unseen,
                                    recall—she was never sure how she’d failed.
 
                                    A clock dripped seconds. She wrote out long notes
 
                                    on small sheets. At night her open window
                                    called them out like a violin. Her words
                                    were a code she never learned—unheard
                                    voices from downstairs, a talking machine
                                    left on by the neighbor who never seemed
 
                                                       
                                    to see her. His glasses must be lost, too,
                                    she might start to think if she ever knew
                                    that hers were gone. She reflected poorly,
                                    like water on a fictional moor. She
                                    pulled that window closed when her alarm rang--
                                    or her phone. She had secrets she couldn’t know:
                                    She delighted in antique music, sang
                                    dead songs, watch her green mirror glow.




                                                      

                                                    

                                               
                                                            BOY WITH A PIPE
 
                                    Beside a blue picture—posed, insolent
                                    and idle—stiff as a forgotten god--
                                    a boy waits for no one, for risen ghosts.
                                    His stillness threatens artful violence.
                                    Rolling a cold pipe on his palms, he nods
                                    to himself—his gaze doesn’t recognize
                                    loose strangers. He taps coded resentment
                                    on the stone bench—his cold count’s always odd--
                                    He only comes in on the days he knows
                                    it will be empty. This picture’s his prize
                                    in a contest you can’t enter—the room--
                                    echoing with silence—forces his eyes
                                    to look at what was stolen from his tomb.
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